Tag: Film Festival

3 Days at the 2019 European Union Film Festival of India

eu film festival 2019 india

Reddit is one of the sites that I frequently visit these days, even more than Letterboxd and Twitter. And it was through the r/Mumbai community there that I came to know about the India edition of the European Union Film Festival (EUFF), a platform that showcases the best European cinema has to offer to the Indian populace and which is organized in several cities across the country every year as part of the ‘Europe in Your City’ programme through a partnership between the Ministry of Information and Broadcasting (Directorate of Film Festivals), the Delegation of the European Union, and the consulates of respective European member states in India. It was in its 24th edition in 2019 and hosted 23 films from 23 European countries across eight cities between 24 June and 26 September. I managed to catch some of the films in Mumbai at the prestigious Films Division of India. This is an overview of my experience at and a recommendation of the festival for those who are interested in watching both little-known and popular European movies in a festival setting.

The European Union Film Festival of India

Abbreviated as EUFF India, it is one of the few annual film festivals celebrated in India. Although it is difficult to trace the history of the fest online (its website is new), it is safe to assume that it was started as a way to showcase European art of cinema to the cine enthusiasts of India and thereby bridge the gap between the artists from the two states. There’s no denying that it might even be a diplomatic activity aimed at strengthening the relations between India and the EU.

Films Division for euff 2019
A poster of EUFF India 2019 at the Films Division building

The 2019 edition was the 24th year the EUFF was celebrated across eight Indian cities: Chennai, New Delhi, Goa, Pune, Puducherry, Kolkata, Hyderabad, and Mumbai.[1]Interestingly, Mumbai was not in the list for the 2018 edition and it ran in eleven other cities. It was not there in 2017 either. The period of about three months is also reminiscent of how seriously the organizers take the event, using the resources offered by the Government of India for the screenings.

That is why the the entry to the festival is free of cost. Delegates are only supposed to be present at the screenings (the Mumbai screening details is mentioned in the last section here) and enjoy European cinema the best way the artform should be enjoyed in, without censorship and the poor behaviour that is rampant in mainstream theatres.

Special mention to Wishbox Studio for the beautiful EU Film Festival website design and merchandise. As you all know, I am a stationery fanatic and I am not ashamed to admit that I managed to take two cool-looking coasters home.

According to the EUFF website, the annual event is meant to celebrate the vitality and diversity of European cinema and culture. The films are a heady cocktail of romantic comedy, period drama, mockumentary, satire, and socio-political thriller.

My Experience at EUFF India 2019

I, for one, can attest to that fact about the cocktail as I managed to catch 11 of the 23 films that were screened. I attended 3 days of the festival and spent over 9 hours of courageous cinema marathon with 5 back-to-back films on the first day. It was the first time that I did that, an event that I’m told is common for film critics. In a way, I broke my own record of 3 films at the 2018 MAMI MFF, a feat that involved films Widows (2018), Climax (2018), and Leave No Trace (2018). It was exhausting to say the least but when I went to bed that night, it somehow felt good.

euff 2019 india screening
Before the start of the second screening on 21 September

I could not attend the entire festival because of work and some personal commitments. But, it was still fun. I liked the way the screenings were organized, very punctual, and a better crowd that the ones you find at MFF. It was not without its fair share of spectacles either. After the screening of the Austrian film Styx (2018) on 22 September 2019, a squabble broke out between a few viewers which quickly turned into a heated spat in Marathi. A group of elder enthusiasts began accusing a group of youngsters for being a nuisance. The former group got angry when the young men denied any wrongdoing. And it ended with the interference of the officials, even as the audience began preparing for the next screening.

Unlike at MAMI – the only other film festival I have attended so far – there was little time between the screenings. Although most of the titles were between 90 and 100 minutes of running time, it became really difficult to grab a bite between the shows. That is why you always carry some energy bars and a water bottle for a film festival. (Looks like it’s time I devise my own guide as I wait for the 2019 edition of the MFF.) But if you want it right now here’s a nice little guide by Berlin-based travel blogger Adam doling out some great tips to follow while at a film festival.

If finding time for lunch or evening snack is difficult, convincing your body to maintain its posture and not fidget for streaks of 90+ minutes with small intervals between them is where you’ll need a bit of practice and the ability to deviate from your lifestyle (diet and rest preferences). Active film festival attendees around the world (who visit the Big Three or other big ones like Sundance and TIFF) can do this without much effort. I have read stories.

european film festival schedule
The 2019 Mumbai schedule put up at the Films Division building

If you are a disciplined person who eats on time and sleeps on time, then I’m afraid attending film festivals is going to be tough. It is usually very difficult to cajole the fest organizers to push a 2 PM show by an hour because it overlaps with your lunchtime. If you are friends with the organizers and somehow manage to do it, let me know in the comments. I’ll execute your bragging rights.

It should be noted that due to a lack of popularity, none of the screenings I attended were houseful. But that was a relief because in most cases I could enjoy the films in silence with no disturbance from fellow viewers. Most of the audience were discerning and did not engage in activities that are barred from my own imaginary theatre if it is ever built.

Films Watched

I caught the following eleven films at the 2019 EUFF India (in the order of the viewing):

  1. Bubblegum (2017, Bulgaria, dir. Stanislav Todorov)
  2. Tulipani (2017, Netherlands, dir. Mike Van Diem)
  3. The Troupe (2018, Hungary, dir. Pal Sandor)
  4. Diamantino (2018, Portugal, dir. Gabriel Abrantes, Daniel Schmidt)
  5. The Charmer (2018, Denmark, dir. Milad Alami)
  6. Drifters (2015, Sweden, dir. Peter Gronlund)
  7. Styx (2018, Austria, dir. Woflgang Fischer)
  8. Ashes in the Snow (2018, Lithuania, Marius Markevicius)
  9. #Female Pleasure (2018, Switzerland, dir. Barbara Miller)
  10. Me and Kaminski (Germany, 2015, dir. Wolfgang Becker)
  11. Maria (And Everybody Else) (2016, Spain, dir. Nely Reguera)

As you can see, the festival also focuses on old films that are supposed to be essential viewing from those specific countries. Some of these European states are not prolific producers like India or the USA, which is another point that the original 23-film list conveys. You can see the entire list for the 2019 edition here on IMDb. The sole documentary on atrocities on women in the 21st century was also a good watch. It should be essential viewing for today’s youth.

euff 2019 films brochure
Two of the films I could not catch

My favourite film out of the lot is Diamantino, which is a satire on government propaganda and cloning experiments as seen from the perspective of an innocent, disgraced footballer whose life has an uncanny resemblance to that of Cristiano Ronaldo who is a Portugal national…

I also liked Me and Kaminski, Maria (And Everybody Else), and The Charmer. All great stories with a touch of uniqueness. (And I also kept wondering why there was no film from the UK. The Brexit deal is still not in motion so technically the UK is still a part of the EU. Right?)

Overall, EUFF India was a fun experience for me. I watched more films than I had originally intended to and was able to do it without any hiccups. I also got to explore tony Pedder Road, Cumbala Hills, and Mahalaxmi areas of Mumbai, which I have not been exposed to much. If I could, I would have attended the fest in its entirety, but that is something that I intend to do for MAMI MFF 2019 as well as for the upcoming 10th Jagran Film Festival (starts 26 September 2019) in Mumbai and the 50th International Film Festival of India (IFFI) in Goa (starts 20 November 2019).

Guide for Future Delegates

The entry to the European Union Film Festival is free. Only people above 18 years of age are allowed as the films are not censored. Most of the titles I watched in 2019 had some sort of nudity and sexual content in them with one film (The Charmer) going a bit over the top. It also did not have disclaimers, which is another quality I love about festivals.

All films are with English subtitles.

If you are interested for the 2020 edition and if they run it in your city, keep an eye on their website and social media profiles. They (EU in India) are quite active on both Facebook and Twitter.

Plan your itinerary before and make sure you reach the screenings at least 10 minutes before to get the seat that you want. Other than, it’s just basic film festival etiquette. The location for Mumbai is given below. The most economic way to get to the venue (if its Films Division in future editions also) is to get down at Grant Road station in the Western line of the Mumbai Suburban Railway (local train) and take the #155 Limited BEST bus to Cumbala Hills Post Office. Good luck. TN.

Featured image courtesy: EUFF India

Update: Added bus route option to get to the EUFF venue in Mumbai. (27 September 2019)

footnotes   [ + ]

1. Interestingly, Mumbai was not in the list for the 2018 edition and it ran in eleven other cities. It was not there in 2017 either.

List: Dumb Things People Do in a Movie Theatre

people watching in movie theatre

I am currently attending the India edition of the European Union Film Festival (EUFF) in Mumbai and it is during one of the film screenings last day that I got the idea for this article. As the title suggests, there are dumb things that people do while they are watching a movie in complete darkness. And here I am going to list them out without much description.

  • Murmur
  • Take a photo of a shot in the film with a flash
  • Slide unlock their mobile (with the brightness usually higher than average)
  • Return a phone call after it has rung for a few long seconds
  • Make a phone call
  • Get up and leave*
  • Do something on their smartphone
  • Chew something
  • Get up before the end credits have finished rolling up
  • Stand in the aisle
  • Bring their kids who are clearly not interested in cinema
  • Take a selfie in the middle of a show
  • Laugh or clap more for than the accepted time span (the upper limit is 3 seconds unless you are at Cannes)
mobile flash taking picture movie theatre
Guess the criminals / © jonlarge/Creative Commons

I have to admit that *I have gotten up and left from quite a few movies because they were just too bad to endure but in film festivals this just happens a lot, especially if the entry is free. But there’s no reason why anyone would engage in any of these activities while watching a film. While I get why someone would want to take a photo of a scene in a film (for film Twitter, of course!) and I know they must have forgot to switch off the flash. But what I don’t understand is where is the sensitivity and common sense? Engaging in any of these just goes against the idea of going to the movies. One would rather binge-watch on Netflix at the comfort of their home if they also want to chat with their friend or munch on popcorn all at the same time. This is why we need stricter cinema theatre rules and regulations.

It surprises me more to see such type of behaviour even in film festivals where it is assumed that the audience is more serious and sensitive with the art and their fellow enthusiasts. But I think it is safe to assume that none of these festivals are secure from this type of dumb behavior from its patrons. Be it TIFF or Berlinale or MAMI.

Maybe I am dumb for having pointed them out and spent 30 minutes writing this stub. TN.

Featured image courtesy: Jake Hills/Unsplash

Mumbai Film Festival: A Waiting Guide

It’s been nearly six months since the last edition of the Mumbai Film Festival (MFF) concluded and I am finding it difficult to wait out any longer for the next one. Especially with Cannes releasing its official poster for 2019 featuring a tribute to late French filmmaker Agnès Varda as well as folks on my Twitter already starting to build up on TIFF 2019. It was difficult enough to see critics reshare opinion pieces of their favorite and not-so-favorite movies they caught at Sundance this year. And then our own MAMI came out with a tweet that sent a tribute to the late legendary Indian filmmaker Mrinal Sen on 10 April, and I just couldn’t control. Yours truly is filled with misery these days.

Mumbai film festival 2019
Poster for the 21st edition of the Jio MAMI Mumbai Film Festival with Star / © MAMI

But, thanks to cheap access to the Internet and theaters nearby, I have somehow managed to find a way to sustain the gap – which almost feels like an eternity – between the festival editions, October through October. The key, they say, is to stop thinking about it, but good luck doing that if you are an active social media user. And if you are someone who follows the film fraternity (for whatever reasons), you are bound to become miserable over the 12 months. More so if you are disturbed by the wave of low-quality movies that have come out of Bollywood in 2019 so far. Why Cheat India, Total Dhamaal, Mere Pyare Prime Minister, Junglee

If you think you are in a similar situation, don’t worry. I have found a few ways to keep myself occupied till the week-long festival comes back, scheduled between 17 October and 24 October this year. If you can manage to find a buddy then nothing like it. Schedule a day and a time, grab a few packets of instant popcorn, and fire up your home theater to end your hectic days with doses of filmy smack. Here’s how…

Waiting Out the Next Edition of the Mumbai Film Festival

Since the 2018 edition was my most successful in terms of catching the movies that I actually wanted to, it has become even more difficult to exist and function knowing that October is so far away. I often think about my days at the festival and how I managed to watch both the opening and closing films for the first time in three years. Talking to a few acquaintances that I made in 2017 and 2018 made me realize that I am not the only one.

Here are a few things that I have been doing over the past few weeks to make for the cinematic hunger that has suddenly dominated me.

Watch and Complete Previous Editions

In 2018, there was a guy who watched 27 films in six days. This is like an unachievable record for me. Because there’s a limit of four movies per day (that you can book online against your MAMI ID), and this guy booked three extra films by standing in queues. That’s five movies back to back between 10AM and 10PM, each at least 150 minutes long. I would be doing better if I had that kind of commitment for anything in my life.

But that’s not the point. The point is that if you are like me – whose record is a measly 13 per festival – then you have a lot of films to go back to. You’ll have even more if you skipped any of the recent editions of the festival because there are upwards of at least a 100 titles that are screened per year.

I am personally going to try and catch all the pending movies of the 2018 edition. I also created an ambitious list on IMDb so I have a headstart here. If you are looking for inspiration, here is a list of lists –

Lists to Catch Up Old MAMI MFF Movies

Other than these, IMDb itself has a separate section of films that were nominated/awarded in the festival. Have a look at the lists for as back as 2013 here.

Catch Up on MCU or GoT

Now I know that not everyone is a fan of the Marvel Cinematic Universe or TV shows like Game of Thrones, but if you are and if you have been putting them aside for long, now is the time to catch up.

The latest Avengers installment is scheduled to release in a week’s time. Which makes April the perfect time to complete the three phases of MCU that lead up to it. Same for GoT as its final season is currently running on HBO (Hotstar in India).

If none of these franchises interest you, there are numerous other shows and movies in various genres available for consumption. Obviously. So go to IMDb or Letterboxd and take a look.

MAMI Year Round Programme

This should have been on top of my list. Because it is MAMI’s own way of answering the hunger of cinephiles after they are done with the festival every year.

The Year Round Programme is a subset of the MFF where MAMI organizes screenings (often premieres) of new movies and web shows at their partner theater network (PVR) throughout the year in Mumbai and Delhi. Access is free; members only have to sign up separately for the programme (on their website), wait for email invitations of new screenings, register their interest (as soon as possible because of the limited number of seats), and then wait for the confirmation.

If you’re an early bird and/or first-timer, you have high chances of getting a seat. On the other hand, if you get a confirmed seat and don’t show up, it will be hard for you to show your loyalty to the sweet MAMI people again.

The Year Round Programme hosts a lot of cool movies and web shows as MAMI directly partners with the producers and distributors. For example, their last show in Mumbai was the Oscar-winning documentary Free Solo, in association with National Geographic. In the past, they have screened Mard Ko Dard Nahi Hota, Sonchiriya, Made in Heaven (Amazon Prime Video), Green Book, and Stranger Things (Netflix) to name a few.

Made in Heaven at MAMI
A photo from the recent screening of Amazon’s Made in Heaven in Mumbai © MAMI

It’s a great initiative by MAMI because it gives a form of community to the participants. And more importantly, a way to stop missing the festival.

Embrace the Academy Awards

Or any international awards for that matter. I like to keep a track of the Oscars – winning films, nods, snubs, long shots, everything – and then predict which ones will win when the night comes. Unfortunately, I have never been able to watch all movies let alone predict correctly. But I still have at two lists prepared and ready:

These will be enough for at least 2-3 months from now, depending upon the number of titles you have seen already.

If Oscars are not your thing, you can pick any of the major international awards like the Golden Globes, BAFTAs, and Independent Spirit awards, or even Filmfare and Indian’s National Film awards. The idea is to continue watching films to keep the spirit high and constant. Heck, you may also consider the Razzies.

r/bollywood

This might come as a surprise but let me at least make a case. The amount of information that is exchanged in this small Reddit community of Bollywood lovers is just breathtaking. All types of news, trailers, and trivia are discussed there every day by users from around the world.

They even have polls of new Bollywood releases, and unlike popular opinion, have constructive discussions that you can take part in. The community is also actively moderated, which means no spam, no advertisements. Just plain Bollywood worship.

Go and have a look here: https://www.reddit.com/r/bollywood/

Young Critics Lab

This is not for me, but for people who are between the age of 18 and 25. If you are that young and still interested in cinema, the Young Critics Lab organized by MAMI every year will be a beautiful opportunity.

It is a short workshop for young students and professionals who want to get a little hands-on training about the basics of film criticism. The club’s favorite and National Award-winning critic Baradwaj Rangan conducts the workshop between July and October. He is sometimes supported by an international film critic. 2016 saw The Guardian‘s Peter Bradshaw come to Mumbai for the class while in 2017 (when I attended), TIME magazine’s Stephanie Zacharek made an appearance.

I wrote a detailed article about YCL last year which I think will be enough to push you to sign up if they host it this year. Keep your eyes and ears open in May/June when they usually announce it.

Prep

Lastly, and this is not very relevant here, there’s Sujay Kulkarni’s fantastic take on how to prepare for the festival. Writing for VICE, he captures the very essence of the festival – from ticket booking to finding obscure films outside of your watchlist to getting from one venue to another – in so less words.

Take a look as you revisit your own time at the festival last year… or five years ago. Whichever suits you.

Stay Tight

There is no doubt that the MFF has transformed into a national phenomenon if not a global one. Last year the ticket price was INR 500 (approx. $7) which surely helped increase the footfall. And with so many new members looking forward to the 2019 edition, I’m sure it will be grander this time.

The MFF is now officially open for entries. If you are a creator, you need to sign up and submit as soon as possible. Check out the website for more details. If you are unsure if your film belongs to MFF, check out the rules and regulations here. And don’t forget to follow MAMI on Twitter becausethat’s where the action is.

Here’s to six more months of hope-filled anticipation. TN.

Festival de Cannes is Hiring: Professional Standing Ovation Timer

Last week (May 2017) at our prestigious Cannes Film Festival, Adam Sandler’s new film The Meyerowitz Stories received critical acclaim from both the jury and the audience. The director of the film likes to think the praise was for the whole film, but it was Sandler’s performance which was met with a four-minute standing ovation at the end, making film enthusiasts around the world spiral into a state of delirium.

This job posting is a direct consequence of that event. It is because of an error in calculating the period of that ovation. It was three minutes and fifty seconds, to be exact, and Dave got it wrong. (Dave was an intern from PricewaterhouseCoopers, the same folks responsible for the Oscars Best Picture snafu earlier this year. But, we the French don’t care about those Americans trying to make their country great again.) He will not be with us in 2018, and that’s for sure.

Job Overview – Professional Standing Ovation Timer

If you have always been interested in knowing who times standing ovations at our screenings and how, then this is the job for you. One of the most coveted jobs in the planet and one that does not require much skills, the responsibilities of a standing ovation timer are limited. (And still Dave screwed it up.) Consider it as an entry pass into one of the most important and widely publicised film festivals in the world where you can ogle at celebrities endorsing designers and designers endorsing themselves. If you are someone who prefers a wristwatch over a smartphone to keep track of time and know how many seconds constitute a minute, then you are already half-eligible for this job.

Do a better job than Dave. Do a better job than our former graphic designer who retouched the picture of Claudia Cardinale for our 2017 promo poster so she looked thinner. Do better than Adam Sandler does in most of his films. And you will be hired.

Job Requirements

  • Must have at least a Bachelor’s degree in Mathematics or related majors
  • Must have answered all CAPTCHA math answers correctly in the first try itself in his/her lifetime
  • Must be a native of France (Cannes a plus)
  • Past experience in ovation timing is a plus, and candidates who have worked with the Academy (AMPAS) will be preferred
  • Interest in films would be a plus, but is not necessary. (Due to limited seats, you may have to stand during the screenings, but you cannot count yourself as one of the audience while tracking standing ovation time)

Job Responsibilities

  • Keep track of film schedules and be present during the allotted film screenings from start to end
  • Accurate standing ovation time tracking based on audience response. At least 10 people have to engage in applauding when you can start and stop the timer. (More details will be given to the selected candidate)
  • Liaise with the press coordinators and brief them about the type of audience response (elated, dull, etc.)
  • Understand who and what the standing ovation is for
  • Declare the exact standing ovation time to the press so that it appears on publications before the critics can even publish the reviews
  • Cross-check the tracked time with CCTV footage
  • Create reports based on the tracked time and associated categories (Palme d’Or, Grand Prix, etc.)

Job Benefits

  • Competitive one-time-project package with full access to the festival events
  • Gift hamper and Festival de Cannes merchandise
  • Free lifetime passes for two for Palme d’Or film screenings
  • Resume building experiences where you can get associated with films and actors
  • A mention on our Wikipedia page
  • A chance to watch films from around the world (Blue is the Warmest Color was watched by two of our former standing ovation timers who brought in their spouses with them.)

We are looking for a dynamic team player who is the creme de la creme of professional standing ovation timers. Come and be a part of Festival de Cannes 2018 and help us understand the importance and accuracy of standing ovations. Help us create experiences so that our films achieve creative and box office success.

To apply, visit our website (http://www.festival-cannes.com/en/contact) and fill the form. Please do not attach a CV, but instead describe why we should hire you. Also mention your favorite Palme d’Or winner. Since this job has to do with tracking time, should you receive a reply from us about your application, your next step would be to calculate the exact time it took for us to reply from the moment you submitted your application. Good luck!